What is flash fiction? Is it art? And why is it becoming so popular?
There is something a bit brazen about the flash form, something redolent of legerdemain and prestidigitation, a gumption, moxie, and chutzpah that is, in the best way, polarizing. One flash piece might “get through” to one reader, while it bounces off another with little effect. Some say this makes flash a shallow and subjective genre, just another example of consumer niche-ification and ultra-specificity. Perhaps, but perhaps that’s why the genre is flourishing. Not because it’s easy, but because reaching anyone, connecting to anyone, finding the time to reach or connect to anyone, is increasingly hard.